Systematic, prolonged deception is not only possible on the Internet, but it has become increasingly easy and inexpensive. Every single one of the blogs on this site or any other site could have originated from a single source or a souce that holds the opposite opinions of those expressed in the posts. Like message boards, online video distributors (e.g. YouTube), and pretty much every other participatory website, this site allows a single user to impersonate any number or variety of other people.
We can be reasonably sure the news we receive on the web is real, NYTimes, CNN, and all the rest being longstanding, reliable sources with a lot to lose if their reputation is besmirched. The Internet as news source is not what’s at stake, but rather the Internet as a social space. You can “triangulate” the truth by looking at many different website’s accounts of a news event. You cannot do this with the intimate lives or opinions of individuals. There are plenty of old fogies who do not use the Internet as a social space who would like to dismiss identity play as unimportant merely b/c it doesn’t effect them or anyone they know. But last time I checked, there were millions of young people all over the world using the Internet as a social space.
It may not take much $ to deceive people on the Internet, but it takes time and creativity, both in short supply for most. You’ve got to have something to sell to make it worth the time, unless you’re just trying to prove a point. It is this apparently motiveless mass deception that is the true new art form that lonelygirl15 portends. Think of it as experimental theater, as the next big step in the erosion of the barrier between art and life.
For those who continue to doubt the relevance of this, consider the obvious political implications of phony personas. If personas are easier to fake, then the grassroots democratic nature of the Internet could be partially or completely illusory.
Normally, I wouldn't quote something at great length, but this post is buried amongst others:
emjo on NYTimes Screens blog:
"Rewind to the 17th century, and the birth of the novel in the Christian west. In its early manifestations, the form relied on the popular convention of make-believe truthfulness — “found” Arabic manuscripts in Don Quixote, “discovered” correspondences between dead lovers in any number of epistolary novels, and so on. Back then, fiction was lies, and lies were immoral — but everyone new these books weren’t really the real truth. It was originally perhaps a symbolic, but obligatory, nod to the atmosphere of religious censorship, plus there is that extra shivery bit of pleasure from imagining that a story MIGHT be true. See also more contemporary examples — Nabokov’s “Lolita,” for example. Enter reality T.V., and, shortly after, literary identity scandals like James Frey and J.T. LeRoy. This is a little bit different–the assumption is that audiences will be more interested (will perhaps ONLY be interested) if they REALLY BELIEVE that the stories they’re hearing/seeing are true...[For those who doubt the revelance of LG15 and the like], do we really not care anymore about anything but the material facts of our world–particularly those facts that put us in bodily danger? Is imagination a waste of time? Is fiction immoral?
Maybe on our journey back towards the Spanish Inquisition and the Crusades, we are finding new ways to push art to the margins. Global terrorism, by god! We have no time to waste on childish make-believe! I can understand how artists desperate to get our attention might feel that their only choice is to masquerade as Truth. Unfortunately, this compromise is dangerous and demeaning. So what to do? Do the narrative arts continue to become more polarized — either popular, soothing, and meaningless, or powerful, brilliant, and obscure? Do more and more theater, film, and fiction artists turn to fake reality? Or do we as audiences give the imagination the space it deserves, to interpret and represent aspects of experience that can’t be fought with wars and bombs?"
http://screens.blogs.nytimes.com/?p=77#comment-935
http://www.nytimes.com/2006/09/17/weekinreview/17zeller.html?ref=weekinreview
Sunday, September 17, 2006
Friday, September 15, 2006
Fake Blogs, Fake Vlogs, and Verisimilitude
More on Lonleygirl15...
Many artists aspire to create the most realistic art they can. Many see the arts on a steady tragectory towards art that is indistinguishable from reality. So, is Lonelygirl15 and other blogs or vlogs that are fictional the next step towards verisimilitude? Do those who fee lied to have any more of an ethical beef than people who were originally tricked into believing early films were "real?" As I recall, Lonelygirl15's creators never explicitly claimed to be non-fiction. They simply took advantage of an audience's preconceived notions of a medium.
Many artists aspire to create the most realistic art they can. Many see the arts on a steady tragectory towards art that is indistinguishable from reality. So, is Lonelygirl15 and other blogs or vlogs that are fictional the next step towards verisimilitude? Do those who fee lied to have any more of an ethical beef than people who were originally tricked into believing early films were "real?" As I recall, Lonelygirl15's creators never explicitly claimed to be non-fiction. They simply took advantage of an audience's preconceived notions of a medium.
Friday, September 08, 2006
the birth of a new art form
call me crazy, but I believe "The Creators" when, after the (apparent) revelation that Lonleygirl15 is not "real," they declared the birth of a new art form. In terms of medium specificity, I think they have a point (although its dopey to think of the Internet as a single medium at this point, as it fulfills so many different fuctions for so many different people) - one of the walls that the internet was destined to break down, along with the walls between public/private and public/celebrity, was the wall between fiction and realtiy.
I guess you could draw parellels to "War of Worlds" or "Quiz Show," mass media deceptions on a much larger scale. Like everything online, this only affects a minute portion of the public. But still, the same principles apply. And so we might think that, just as War of the Worlds was to radio and the quiz show that inspire the movie Quiz Show was to TV, this is to the Internet (or at least autobiographic blogging, vlogging, and podcasting). In other words, there comes a time in the evolution of any medium where the audience is forced to confront the fact that the medium can be used for mass deception. They are forced to become critical of it. Again, this only applies to aspects of the Internet (primarily those that ape aspects of "traditional media" like YouTube does to TV. But the same can be said about autobiographic blogs.
loneleygirl15 is real in the sense that the person who is on screen is almost certainly real, and she is real in the sense that the sentiments that she expresses, the motives that inform those sentiments, are both from another real person (or perhaps several real people) - the Creators. It is possible that The Creators is just a computer program that analyzes autobiographic blogs, pulls recurring themes, sentiments, and motives and weaves those into a story (unlikely considering how unsophisticated AI is rright now, but in principle, such a program, with minor human assistance, could exist soon).
Is lonelygirl15 any less real than the coached personalities on Laguna Beach? What if those personalities weren't coached? Would that, then, be real? By "real," I suppose we mean that the actions of a person are motivated by only them, and not other forces, or that at least those other forces pass through the filter of that person. It would be better if Bree was "real" in the sense that she, like the characters on Laguna Beach and the Hills, had a pre-existing life that was dicovered by producers and then shaped to suit dramatic needs. There could never be any definitive unmasking. There would never really be any lying. It would be impossible to fix the line between reality and fiction. They (or she) might have been coached, and her behavior might have been altered, but it is impossible to say to what degree and in what way.
We all put on some sort of a performance to garner attention, in our writings and our behavior. What makes us real?
So this is all some combination of Andy Kaufman and Andy Warhol. And at least for now, it feels new.
I guess you could draw parellels to "War of Worlds" or "Quiz Show," mass media deceptions on a much larger scale. Like everything online, this only affects a minute portion of the public. But still, the same principles apply. And so we might think that, just as War of the Worlds was to radio and the quiz show that inspire the movie Quiz Show was to TV, this is to the Internet (or at least autobiographic blogging, vlogging, and podcasting). In other words, there comes a time in the evolution of any medium where the audience is forced to confront the fact that the medium can be used for mass deception. They are forced to become critical of it. Again, this only applies to aspects of the Internet (primarily those that ape aspects of "traditional media" like YouTube does to TV. But the same can be said about autobiographic blogs.
loneleygirl15 is real in the sense that the person who is on screen is almost certainly real, and she is real in the sense that the sentiments that she expresses, the motives that inform those sentiments, are both from another real person (or perhaps several real people) - the Creators. It is possible that The Creators is just a computer program that analyzes autobiographic blogs, pulls recurring themes, sentiments, and motives and weaves those into a story (unlikely considering how unsophisticated AI is rright now, but in principle, such a program, with minor human assistance, could exist soon).
Is lonelygirl15 any less real than the coached personalities on Laguna Beach? What if those personalities weren't coached? Would that, then, be real? By "real," I suppose we mean that the actions of a person are motivated by only them, and not other forces, or that at least those other forces pass through the filter of that person. It would be better if Bree was "real" in the sense that she, like the characters on Laguna Beach and the Hills, had a pre-existing life that was dicovered by producers and then shaped to suit dramatic needs. There could never be any definitive unmasking. There would never really be any lying. It would be impossible to fix the line between reality and fiction. They (or she) might have been coached, and her behavior might have been altered, but it is impossible to say to what degree and in what way.
We all put on some sort of a performance to garner attention, in our writings and our behavior. What makes us real?
So this is all some combination of Andy Kaufman and Andy Warhol. And at least for now, it feels new.
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